Holy Pilgrimage – Temples in Tamilnadu State ( Srirangam) -1

Holy Pilgrimage – Temples in  Tamilnadu State


Srirangam (formerly Vellithirumutha gramam and Thiruvarangam in Tamil) is an island and a part of the city of Tiruchirapalli, in South India.
Srirangam is bounded by the Kaveri River (also known as Cauvery river) on one side, and the Kaveri distributary Kollidam (Coleroon) on the other side. Srirangam is home to a significant population of Srivaishnavites (followers of Lord Vishnu, one of the triumvirate of Hindu Gods the other two being Lord Siva, the Destroyer and Lord Brahma, the Creator).

Sri Ranganathaswamy Temple, Srirangam

Srirangam is famous for its Sri Ranganathaswamy Temple, a major pilgrimage destination for Hindus (especially Srivaishnavites) and the largest temple complex in India.
According to the temple's website, Srirangam can be considered the biggest functioning Hindu temple in the world, as it covers an area of about 631,000 square metres (6,790,000 sq ft) with a perimeter of 4 km (10,710 ft).  Srirangam claims to be the biggest functioning temple; Angkor Wat is bigger but non-functioning.
Srirangam is the foremost of the eight self-manifested shrines (Swayam Vyakta Kshetras) of Lord Vishnu. It is also considered the first, foremost and the most important of the 108 main Vishnu temples (Divyadesams). This temple is also known as Thiruvaranga Tirupati, Periyakoil, Bhoologa Vaikundam, Bhogamandabam. In the Vaishnava parlance the term "KOIL" signifies this temple only. The temple is enormous in size. The temple complex is 156 acres (0.63 km2) in extent. It has seven prakaras or enclosures. These enclosures are formed by thick and huge rampart walls which run round the sanctum. There are 21 magnificent towers in all prakaras providing a unique sight to any visitor. this temple lies on an islet formed by the twin rivers Cauvery and Coleroon.
The Srirangam temple complex is composed of 7 concentric walled sections and 21 gopuram  The gopuram of the temple is called the Rajagopuram and is 236 feet (72 m) tall, the tallest in Asia.
The temple has seven prakaras (elevated enclosures) with gopurams articulating the axial path, the highest at the outermost prakara and the lowest at the innermost. In historic times, just after the construction of this temple, the city of Srirangam lived completely within the walls of this temple and hence is quoted as an example of Hindu religious utopia - during its peak of existence.
The three sacred Ranganatha temples on the banks of the Kaveri are:
There is a gopuram fully made of gold, which is protected by electrical fence.
Clothes such as Silk Sarees, Dhoti, Towels, etc.., used for religious purposes are auctioned here.
Inside the temple compound, there is a separate temple for the goddess Andal. Additionally, There is a museum, a library and a bookshop as well.
The Sri Ranganathaswamy Temple or Tiruvarangam is a Hindu temple dedicated to Ranganatha, a reclining form of Hindu deity, Vishnu located in Srirangam, Tiruchirapalli, Tamil Nadu, India . Constructed in the Dravidian style of architecture,  this temple is glorified in the Divya Prabandha, the early medieval Tamil literature canon of the Alvar saints from the 6th–9th centuries CE and is counted as the first and foremost among the 108 Divya Desams dedicated to Vishnu.
It is one of the most illustrious Vaishnava temples in South India rich in legend and history. Its location, on an island in Cauvery river, has rendered it vulnerable to natural disasters as well as the rampaging of invading armies – Hindu, Muslim and European – which repeatedly commandeered the site for military encampment. The main entrance, known as the Rajagopuram (the royal temple tower), rises from the base area of around 13 cents (around 5720 sq ft) and goes up to 237 feet (72 m), moving up in eleven progressively smaller tiers. The annual 21 day festival conducted during the Tamil month of Margazhi (December–January) attracts 1 million visitors. Srirangam temple is often listed as the largest functioning Hindu temple in the world, the still larger Angkor Wat being the largest existing temple.  The temple occupies an area of 156 acres (631,000 m²) with a perimeter of 4,116m (10,710 feet) making it the largest temple in India  and one of the largest religious complexes in the world
The temple is enclosed by 7 concentric walls (termed prakarams (outer courtyard) or mathil suvar) with a total length of 32,592 feet or over six miles. These temple has 21 gopurams (towers), 39 pavilions, fifty shrines, Ayiram kaal mandapam (a hall of 1000 pillars) and several small water bodies inside. The space within the outer two prakarams (outer courtyard) is occupied by several shops, restaurants and flower stalls.  Non-Hindus are allowed up to the second prakaram (outer courtyard) but not inside the gold topped sanctum sanctorum.
Though the term Kovil is generally used in Tamil to signify any temple, for many Vaishnavas the term Kovil exclusively refers to this temple, indicating its extreme importance for them (for saivas the term kovil refers to Thilai Natarajar Golden Shrine (Chidambaram Temple)). The presiding deity Ranganathar is praised in many names by his devotees, including Nam Perumal (our god in Tamil), Azhagiya Manavalan (beautiful groom in Tamil).


The vimanam (shrine over the sanctum sanctorum), the Ranga vimana s shaped like omkara (om symbol) and is plated with gold.  Sri Ranganthar reclines on Adisesha, the coiled serpent, and at his feet sits Ranganayaki. Images of Vibhishana, Brahma, Hanuman, Garuda, the symbols of Vishnu – conch and discuss are seen inside the sanctum.  Ranganayaki shrine is in the second precint of the temple. The common reference to the goddess is padi thaanda pathni, meaning lady who doesn't cross the boundaries of ethics. Literally, the festival deity of Ranganayaki also does not come out of the shrine and it is Ranganthar who visits Ranganayaki. There are three images of Ranganayaki within the sanctum.
The complex houses shrines of dozens of forms of Vishnu including Chakkarathazhwar, Narasimha, Rama, Hayagreeva and Gopala Krishna. There are separate shrines for Ranganayaki and the major saints in the Vaishnava tradition, including Ramanuja. The Venugopala shrine in the south-west corner of the fourth enclosure of the temple is the work of Chokkanatha Nayak. An inscription of 1674 specifies this Nayak king as the patron. The exterior of the vimana and attached mandap (hall) have finely worked pilasters with fluted shafts, double capitals and pendant lotus brackets. Sculptures are placed in the niches of three sides of the sanctuary walls; maidens enhance the walls in between. The elevation is punctuated with secondary set of pilasters that support shallow eaves at different levels to cap larger and smaller recesses. The sanctuary is crowned in the traditional fashion with a hemisphrical roof. The double-curved eaves of the entrance porch on the east side are concealed in a later columned hall. ] Dhanvantari, a great physician of ancient India is considered to be an incarnation of Vishnu – there is a separate shrine of Dhanvantari within the temple
The Hall of 1000 pillars (actually 953) is a fine example of a planned theatre-like structure and opposite to it, "Sesha Mandap", with its intricacy in sculpture, is a delight ] The 1000-pillared hall made of granite ] was constructed in the Vijayanagara period (1336–1565) on the site of the old temple.  The pillars consists of sculptures of wildly rearing horses bearing riders on their backs and trampling with their hoofs upon the heads of rampant tigers, seem only natural and congruous among such weird surroundings. The great hall is traversed by one wide aisle in the centre for the whole of its greater length, and intersected by transepts of like dimension running across at right angles. There still remain seven side aisles on each side, in which all the pillars are equally spaced out. The Garuda Madapa (hall of the legendary bird deity of Vishnu, garuda) located on the south side of the third enclosure is another Nayak addition. Courtly portrait sculptures, reused from an earlier structure, are fixed to the piers lining the central aisle. A free-standing shrine inside the hall contains a large seated figure of garuda; the eagle-headed god faces north towards the principal sanctum. The Kili mandapa (Hall of parrot) is located next to the Ranganatha shrine, in the first enclosure of the temple. Elephant balustrades skirt the access steps that ascend to a spacious open area. This is bounded by decorated piers with rearing animals and attached colonettes in the finest 17th-century manner. Four columns in the middle define a raised dais; their shafts are embellished with undulating stalks.  The most artistically interesting  of the halls that the Nayaks added to the complex is the Sesha Mandap on the east side of the fourth enclosure. The hall is celebrated for the leaping animals carved on to the piers at its northern end.


There are 21 gopurams (tower gateways), among which the towering 236-feet Rajagopuram (shrine of the main gateway) is the second tallest temple tower in Asia. The 73m high 13- tiered rajagopuram was built in 1987 by Ahobila Mutt and dominates the landscape for miles around, while the remaining 20 gopurams were built between the 14th and 17th centuries. The gopurams have pronounced projections in the middle of the long sides, generally with openings on each of the successive levels. The Vellai gopura (white tower) on the east side of the fourth enclosure has a steep pyramidal superstructure that reaches a height of almost 44m.

The structure of the rajagopuram remained incomplete at the base ('kalkaram', 17 meters high), for over 400 years. Started during the reign of Achyuta Deva Raya of Vijayanagar, the construction was given up after the king's death and apparently was not resumed owing to some political preoccupations or crisis. The Rajagopuram (the main gopuram) did not reach its current height of 73 m. until 1987, when the 44th Jeer of Ahobila Mutt ] initiated the process with the help of philanthropists and others. The whole structure was constructed in a span of eight years. The Rajagopuram was consecrated on 25 March 1987.  The length and breadth at the base of the Rajagopuram is 166 feet and 97 feet, while the length and breadth at the top is 98 feet and 32 feet. Befitting the gargantuan dimensions of the structure, every one the 13 glistening copper 'kalasams' atop the tower weighs 135 kg and measures 3.12m (height) by 1.56m (diameter).

Epigraphy and later history

The inscriptions in the temple belong to the Chola, Pandya, Hoysala and Vijayanagar dynasites who successively swayed the destinities of the Tiruchirapalli district. They range in the date between 9th and 16th century A.D. and are registered by the ephigrahical society.
The location where the Ranganathan idol was placed was later covered by an overgrowth of deep forests, due to disuse. After a very long time, a Chola king, chasing a parrot, accidentally found the idol. He then established the Ranganathaswamy temple as one of the largest temple complexes in the world.
According to historians, most dynasties that ruled the South—Cholas, Pandiyas, Hoysalas, Nayakkas—assisted with renovation and in the observance of the traditional customs. Even during periods of internal conflicts amongst these dynasties, utter importance was given to the safety and maintenance of these temples. It is said that a Chola king presented the temple with a golden serpent couch. Some historians identify this king with Rajamahendra Chola, supposedly the son of Rajendra Chola II. But it is of interest to note that he never figures in the latter's inscriptions, neither in the 4th year (that shows various members of the family going on rampage in different regions) nor in the 9th year (that shows only one member of the second generation).
The temple is mentioned in Tamil works of literature of the Sangam era, including the epic Silapadikaram (book 11, lines 35–40)

āyiram viritteu talaiyuai aruntia
pāya paḷḷip palartou tētta
viritiraik kāviri viyaperu turuttit
tiruvamar mārpa kianta vaṇṇamum
On a magnificent cot having a thousand heads spread out, worshipped and praised by many, in an islet surrounded by Kaveri with bellowing waves, is the lying posture of the one who has Lakshmi sitting in his chest


Sriranga Mahathmiyam is the compilation of religious accounts of the temple, detailing the origins of its greatness. According to it, Brahma, the Hindu God of creation in Hindu Puranas was once in a state of deep meditation and in His supreme trance received the gift of the Vishnu's idol, "Ranga Vimana". He was told by god that there would be seven other appearances of such idols on earth – Srirangam, Srimushnam, Venkatadri (Tirumala), Saligram (Muktinath), Naimisaranya, Totadri, Pushkara and Badrinath. The idol was then passed on by Brahma to Viraja, Vaiswatha, Manu, Ishwaku and finally to Rama. Rama, himself an Avatar of Vishnu, worshipped the idol for a long time, and when he returned victoriously from Sri Lanka after destroying Ravana, he gave it to King Vibhishana  as a token of appreciation for the latter's support for Rama against his own brother, Ravana. When Vibhishana was going via Trichy en route to Sri Lanka, the deity wanted to stay in Srirangam. Ranganatha, captivated by the devotion of a King called Dharma Varma, who was doing penance to have Lord Ranganatha to permanently stay Srirangam, stayed put, promising to cast his benign glance eternally on Lanka. Hence it is that the deity (in a reclining posture) faces South


The temple celebrates annual festival for almost 250 days a calendar year and Srirangam translates to cosmic stage or cosmic arena during the utsavam (festivals).[

Vaikunta Ekadeshi

Pagal Pathu(10 day time) and Ra Pathu(10 day night time) festival is celebrated in the month of Margazhi(December–January) for twenty days. The first ten days are referred as Ra-Pathu (10 day night festival) and the second half as Pagal Pathu(10 day day-time festival). The first day of Pagal pathu is Vaikunta Ekadashi.  The eleventh day of each fortnight in Tamil calendar is called ekadesi and the holiest of all ekadesis as per vaishnavite tradition is the Vaikunta Ekadashi. Nammazhwar, one of the 12 azhwars, is believed to have ascended to vaikuntam(the heavenly abode of Vishnu) on this day. The devotion of the ninth-century poet, Nammazhwar, and his perceived ascent to heaven are enacted annually. During the festival, through song and dance, this place is affirmed to be Bhoologa Vaikunta(heaven on earth).  Araiyar Sevai is a divine colloquim of araiyars, who recite and enact Nalayara Divya Prabanda, the 4000 verses of azhwars (Vaishnavite poets of the 7th–10th century).  Araiyars are born to Araiyar tradition most prevalent in Sri Vaishnava families in Srirangam, Alwar Thirunagari and Srivilliputhur. The tradition of Araiyar Sevai was started by Nathamuni, a 10th century vaishanvite who compiled the works of azhwars. ] It is believed as per Hindu mythology that 33 crores of gods come down to witness the event.  The festival deity is brought to the 1000-pillared hall on the morning of Vaikunta Ekadashi through the Paramapada Vasal (gate to paradise).  Lakhs of pilgrims rush to enter it after the gate is opened and the deity passes through it as it is believed that one who enters here will reach vaikuntam (heaven) after death.  The gate is open only during the ten days of Pagal Pathu (10 day day-time festival). On the last day of the festival, the poet Nammazhwar is said to be given salvation. The performance is enacted by priests and images in the temple depicts Nammazhwar as reaching heaven and getting liberation from the cycle of life and death. At that point, a member from the crowd of devotees, who are witnessing this passion play, goes up to the centre stage and requests Vishnu to return Nammazhwar to humanity, so that his words and form in the temple will continue to inspire and save the devotees. Following this performance of the salvation of Nammazhwar, the cantors are taken in procession round the temple.


The annual gold ornament cleaning festival is called Jyestabisheka (first of anointing) and is celebrated during the Tamil month of aani (June–July). The idols of all deities are abluted with water brought in large vessels of gold and sliver.


Brahmotsavam (Prime festival) is held during the Tamil month of Panguni (March–April). The preliminaries like ankurapuranam, rakshabandanam, bherira thanam, dhrajarohanam and the sacrificial offerings in the yagasala are gone through as usual. The processions go round the Chitrai street in the evenings. On the second day, the deity is taken to a garden inside the temple. The deity is taken in a palanquin through the river Cauvery to a village on the opposite shore namely Jiyarpuram on the third day.

Other Festivals

The annual temple chariot festival, called Rathothsavam is celebrated during the Tamil month of thai (January–February) and the processional deity, utsavar is taken round the temple in the temple car. Chitra Poornima is a festival based on the mythological incident of Gaj-graha (elephant crocodile). The elephant suffered in the jaws of crocodile and god rescued the elephant. Vasanthothsavam is celebrated during the Tamil month of vaikasi (May–June) which according to inscriptions is celebrated from 1444 A.D.


Religious documentation details this temple is the only one of its kind for Vishnu that was sung in praise by all the Azhwars(Divine saints of Tamil Bhakthi movement), having a total of 247 pasurams (divine hymns) in its name. Acharyas (guru) of all schools of thought – Advaita, Vishistadvaita and Dvaita recognise the immense significance this temple, regardless of their affiliation.

Works by Azhwars

Nalayira Divya Prabhandam is a collection of 4000 hymns sung by 12 azhwars saints spread over 300 years (from late 6th to 9th century A.D.) and collected by Nathamuni (910–990 A.D.). ] Divya Desams refer to 108 Vishnu temples that are mentioned in Nalayira Divya Prabandham. 105 of these are located in India, 1 in Nepal, while 2 are located outside of the Earthly realms. 'Divya' in Tamil language indicates premium and 'Desam' indicates place or temple. Srirangam temple is considered the first and foremost of all the 108 temples. Periyalvar begins the decad on Srirangam with two puranic stories according to which Krishna restored to life the son of his guru Santipini and the children of a brahmin.  Thondaradippodi Alvar and Thiruppaana Alvar have sung exclusively on Ranganatha. Andal attained Sri Ranganatha on completion of her Thiruppavai (a composition of 30 verses) in Srirangam. In total there are 247 hymns of the 4000 Pasurams dedicated to Ranganthar deity of this temple. Except Madhurakavi Alvar, all the other eleven azhwars have created [Mangalasasanam (praise) about the Ranganathar in Srirangam.
Number of Pasurams



Kambar is a 12th century Tamil poet who composed Kamba Ramayanam, a work inspired from the epic, Valmiki Ramayana. To get the approval of his work from scholars he came over to the temple. The Jain scholar Tirunarungundam honoured the work and it resulted in Tamil and Sanskrit scholars approving the work.. The open hall where he recited his verse lies close to the Ranganayaki shrine within the temple.

Temple and religious works

The following works were exclusively composed in Srirangam.
1.   Sri Bhashyam – Sri Ramanuja
2.   Sriranga Gadhyam, Vaikunta Gadhyam and Saranagadhi Gadhyam (Gadhyathrayam) – Sri Ramanuja
3.   Sri Renganathashtakam – Adi Shankaracharya
4.   Paduka Sahasram – Swami Vedanta Desika
5.   Rengaraja Stavam and Gunaratnakosham – Sri Parasar bhattar
6.   Rengaraja Sthothram – Kurathazhwar
7.   Bhagavaddhyana Sopnam & Abheethi Stavam – Swami Vedanta Desika

Ramanuja and Srirangam

Ramanuja was a theologian, philosopher, and scriptural exegete. He is seen by Śrīvaiṣṇavas as the third and most important teacher (ācārya) of their tradition (after Nathamuni and Yamunacharya), and by Hindus in general as the leading expounder of Viśiṣṭādvaita, one of the classical interpretations of the dominant Vedanta school of Hindu philosophy. ] Ramanuja denounced his family life and went to Srirangam to occupy the pontificate – Srirangam became the strong hold of him and his disciples  The doctrine of Vishishtadvaita philosophy, Sri Bhashyam was written and later compiled by him over a period of time.  During his stay in Srirangam, he is said of have written "Gadhya Thrayam", which is recited in the temple during the ninth day (Panguni Uttaram) of the festival of Adi brahmotsavam. The temple is a center for the Vishishtadvaita school where Sanskrit Vedas and Tamil works are preached and taught with great reverence. He attained divinity in Srirangam. His Thaan-ana Thirumeni (the symbolic body) is preserved and offered prayers even today after 8 centuries. The disciples of Ramanuja got his permission to install 3 metallic images, one each at Sriperumpudur, Melkote and the third, at Srirangam.  The shrine is found in the fourth prakaram (outer courtyard) of the temple and the idol is preserved in the temple by applying saffron and camphor every six months in a ritualistic style. He is found seated in the Padmasana (yogic sitting posture), depicting the Gnyana-Mudrai (symbol of knowledge) with his right palm. "Kovil Ozhugu" is a codification of all temple practices, religious and administrative, shaped and institutionalised by Sri Ramanuja after receiving the due rights from Sri Thiruvarangathamudanar. A stone inscription to this effect is installed in the Arya patal vasal (main gate before the first precinct).

Pancha Ranga Kshetram

Pancharanga Kshetrams literally means 5 Ranganatha temples (pancha: five; Kshetrams: holy places). These 5 temples are situated on the banks of Cauvery in south India. The following constitute Pancharanga Kshetrams:
Sri Ranganatha Swamy Temple
Indalur, Mayiladuthurai


The nearest airport is Tiruchirappalli International Airport.
Trichy Airport has connections to Chennai, Mumbai, Bangalore, Thiruvanathapuram, Singapore, Dubai, Sharjah, Kuwait, Malaysia, Abu Dhabi.


Srirangam has a railway station that can be reached from Chennai through any of the major trains travelling in the Chennai-Kanyakumari railway track and the approximate journey time from Chennai is about 5 hours and 10 minutes (320 km).
The Tiruchirappalli fort and Trichy junction which are the distance of 2 km and 8 km serves as connection point to many destinations in southern India, such as Thanjavur, Chidambaram, Madurai, Tirupathi, Tuticorin, Tenkasi, Quilon, Rameswaram, Bangalore, Coimbatore, Mysore, Kochi, Kanyakumari and Mangalore. It also connects to some northern Indian cities like Delhi.


Trichy Central bus stand has direct services to most parts of Tamil Nadu. From the bus stand, tourists can avail local buses, taxi, auto rickshaw to reach Srirangam.
City Bus service to all places of tourist interest from Central Bus Stand and from Chinthamani -Main Guard Gate Bus Stand (Both in Trichy). Tourist Taxis andAuto Rickshaws are also available at reasonable rates.
Route No. 1 of the City bus service runs between Srirangam and Central Bus stand. This route starts from Trichy Central Bus Stand and goes via Trichy Junction Railway Station, Palakkarai Rettai pillaiyar Kovil street, Main Guard Gate, Chatram Bus Stand, Cauvery River Bridge, Mambazha salai, Thiruvanaikkovil and ends at Srirangam Bus Stand near the Srirangam Therkku vaasal (South entrance to the temple).
There is a bus for every 5 minutes and there are late night trips also, once in every one hour or so.


Om Tat Sat

(My humble  salutations to the great devotees ,  wikisources  and Pilgrimage tourist guide for the collection )


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