Holy
Pilgrimage – Temples in Karnataka State
Udupi Sri Krishna Matha, Karnataka
Udupi Sri Krishna Matha (Tulu:ಉಡುಪಿ ಶ್ರೀ ಕೃಷ್ಣ ಮಠ) is a famous Hindu temple dedicated to god Krishna located in the town of Udupi in Karnataka, India.
The matha area resembles a living ashram, a holy place for daily devotion and living. Surrounding the Sri Krishna Matha are several temples, the most ancient being made of basic wood and stone of 1,500 years origin.
History
The Krishna Matha was founded by the Vaishnavite saint Shri Madhwacharya in the 13th century. He was the founder of the Dvaita school of Vedanta. It is believed that Madhwacharya found the idol of SriKrishna in a large ball of gopichanda.Legend has it that once Kanakadasa, a pious worshiper and devotee of Lord Krishna, was not allowed entry into the temple. It didn't upset him; instead it made him pray with intense devotion. Lord Krishna was so pleased that the statue turned back to where Kanakadasa was praying, and the wall before Kanakadasa broke up to allow the disciple to gaze upon his heavenly form at the back of the mutt (monastery). Till today, devotees still worship Lord Krishna by praying through the same window that Kanakadasa was blessed with a view: It is known as Kanakanakhindi.
Direct students of Madhvacharya
Direct students of Madhvacharya were many. His first disciple was Shri Sathya Theertha. All other mathas except the Ashta mathas were established by Sri Padmanabha Thirtha. His disciples do not have the right to perform pooja to Lord Udupi Shri Krishna as it is headed and governed by the Ashta mathas.- Sri Vishnu Thirtha, Sode Matha
- Sri Vamana Thirtha, Shirur Matha
- Sri Rama Thirtha, Kanniyur Matha
- Sri Adokshaja Thirtha, Pejavara Matha
- Sri Hrishikesha Thirtha, Palimaru Matha
- Sri Narahari Thirtha, Adamaru Matha
- Sri Janardhana Thirtha, Krishnapura Matha
- Sri Upendra Thirtha, Puthige Matha
Krishna Matha
The daily sevas (offerings to god) and administration of the Krishna Mutt are managed by the Ashta Mathas (eight temples). Each of the Ashta Mathas performs temple management activities for two years in a cyclical order. They are collectively known as the Krishna Matha.The Krishna Matha is known throughout the world for its religious customs, traditions, and learning in Dvaita or Tatvavaada philosophy. It is also the centre of Daasa Sahitya, a form of literature that originated in Udupi.
These eight Mathas are Pejavara, Puttige, Palimaru, Adamaru, Sodhe, Kaniyooru, Shirur and Krishnapura
Swamijis of the Ashta Mathas
The swamijis of the Ashta Mathas and their successors are given as below:
Swamiji
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Successor
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Sri Vishvesha Tirtha Swamiji
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Sri Vishvaprasanna Tirtha Swamiji
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Sri Vidhyadeesha Tirtha Swamiji
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Sri Vishvapriya Tirtha Swamiji
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Sri Sugunendra Tirtha Swamiji
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Sri Vishvavallabha Tirtha Swamiji
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Sri Vidyavallabha Tirtha Swamiji
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Sri Lakshmivara Tirtha Swamiji
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Sri Vidyasagara Tirtha Swamiji
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Festivals
During the Paryaya festival, held every two years, the temple management is handed over to the next Matha. Each of the Mathas is headed by a Swami, who will be in charge of the temple during his Paryaya. The Paryaya is held on even years like 2008, 2010 and 2012. Festivals like Makara Sankranthi, Ratha Sapthami, Madhva Navami, Hanuma Jayanthi, Sri Krishna Janmashtami, Navarathi Mahotsava, Madhva Jajanti (Vijaya Dashami), Naraka Chathurdashi, Deepavali, Geetha Jayanthi etc. are celebrated very grandly by Paryaya Mutt every year.Transportation
National Highway 66 passes through Udupi. Other significant roads include the State Highways to Karkala and Dharmastala and to Shimoga and Sringeri. The NH-66 provides a link to Mangalore and Karwar via Kundapur. Private as well as government buses connect Udupi to various parts of Karnataka. Udupi has a railway station on the Konkan Railway. The nearest international airport to Udupi is Mangalore (Bajpe) Airport, which is 50 km away.City and suburban transport is available for travel within Udupi and suburbs. The buses originate from the suburban bus stand (City Bus Stand). There are different route numbers.
The nearest harbour/port to Udupi is Malpe, which is 5 km away, and Gangoli (Kundapur), which is 36 km away. The New Mangalore Port/Harbour is 50 km away from Udupi.
Udupi Railway Station is managed by the Konkan Railways. It is about 2 km from Udupi town and is on the Thiruvananthapuram-Mumbai rail route. Direct trains are available to Bangalore, Mumbai, Delhi, Rajkot and Ahmedabad. Travelling north, Kundapura Railway Station is the nearest main station.
Temples in Udupi
Udupi is one of the few pilgrim centres, which have, through centuries, sought to preserve the hoary Vedic culture and Vedantic philosophy of India, along with Sanskrit learning and educational enterprises founded on its cultural base.PARASHURAMA KSHETRA
The strip of land between the Arabian Sea and the Western Ghats, ranging from Nasik to Kanyakumari, is known as the "Parashurama Kshetra" (Holy land of Parashurama). Hindu epics narrate a legend as to how sage Parashurama, an incarnation of Lord Vishnu, reclaimed this piece of land from the sea.
Historical accounts of Parashurama Kshetra mention sub-divisions of this region, such as the Maratha, Konkana, Tuluva and Kerala. The coastal strip lying between Gokarna and Payaswini (Perumpula) river of Kerala State was known as Tuluva land or Tulu Nadu. Udupi, described in traditional religious literature as "Rajata Peetha" or "Ruupya Peetha", is deemed to be one of the seven holy places of Tulu Nadu, the other places being Subramanya, Kumbhasi, Koteshwara, Shankaranarayana, Kollur and Gokarna.
EARLIER TEMPLES
The name 'UDUPI' is the modern kannada version of 'ODIPU' which is the ancient name of this place in Tulu language. The Sanskrit name "Rajata Peetha" means a silver seat. This name is associated with the ancient Anantheswara Temple of Udupi, where a legendary king called Ramabhoja is believed to have worshipped Lord Parashurama in the form of a Shiva Linga, which manifested itself on a silver seat offered by the king for the purpose of worship. Shiva worshipped in this temple, in the one and the same symbol of a Shiva linga. Hence, the deity of this temple is called Anantheswara.
Sri Lakshmi Venkatesha Temple, Udupi
Virupaksha Temple, Hampi, Karnataka
Virupaksha Temple is located in Hampi 350 km from Bangalore, in the state of Karnataka in southern India. It is part of the Group of Monuments at Hampi, designated a UNESCO World Heritage Site. Virupaksha is a form of Shiva and has other temples dedicated to him, notably at the Group of Monuments at Pattadakal, another World Heritage Site.Hampi sits on the banks of the Tungabhadra River in the ruins of the ancient city of Vijayanagar, capital of the Vijayanagara empire. Virupaksha Temple is the main center of pilgrimage at Hampi and has been considered the most sacred sanctuary over the centuries. It is fully intact among the surrounding ruins and is still used in worship. The temple is dedicated to Lord Shiva, known here as Virupaksha, as the consort of the local goddess Pampa who is associated with the Tungabhadra River. There is also a powerful Virupakshini amma temple (mother goddess) in a village called Nalagamapalle, Chittoor district, Andhra Pradesh, approximately 100 km from Tirupati
History
The temple's history is uninterrupted from about the 7th century. The Virupaksha-Pampa sanctuary existed well before the Vijayanagara capital was located here. Inscriptions referring to Shiva date back to the 9th and 10th centuries What started as a small shrine grew into a large complex under the Vijayanagara rulers Evidence indicates there were additions made to the temple in the late Chalukyan and Hoysala periods, though most of the temple buildings are attributed to the Vijayanagar period.Under the Vijayanagara rulers, in the middle of the 14th century, there began a flowering of native art and culture. When the rulers were defeated by invaders in the 16th century, most of the wonderful decorative structures and creations were systematically destroyed.
The cult of Virupaksha-Pampa did not end with the destruction of the city in 1565. Worship there has persisted throughout the years. At the beginning of the 19th century there were major renovations and additions, which included ceiling paintings and the towers of the north and east gopura.
The Virupaksha or the Pampapathi temple is the main center of pilgrimage at Hampi. It is fully intact, and it incorporates some earlier structures. This temple has three towers, the eastern tower rises to a height of 160 feet and is nine tiered. It dates back to the first half of the fifteenth century and was renovated in the sixteenth century by Krishnadevaraya.
This tower has been built such that an inverted shadow of this huge tower falls on the western wall of the temple through a small hole behind the sanctum. The northern gopuram has five storeys, and the inner eastern gopuram is endowed with three storeys.
The presiding deity here is Virupaksheshwara or Pampapathi. His consort Pampa, is believed to be the daughter of Bhrama. There is an ornate shrine to Bhuvaneswari. There is a shrine to Vidyaranya, the spiritual founder of Vijayanagar in this temple. The inner prakaram consists of shrines and pillars dating back to the 12th century.
Krishnadevaraya also built a mandapam in front of the sanctum, and embellished it with Vijayanagar style bas reliefs and murals. Several of Shiva's manifestations, and the ten incarnations of Vishnu are portrayed here, as is the classic scene from Mahabharata depicting Arjuna's shooting the fish device in order to secure Draupadi's hand in marriage. There is also a mural depicting Vidyaranya the spiritual founder of Vijayanagar in procession.
Temple structure
At present, the main temple consists of a sanctum, three ante chambers, a pillared hall and an open pillared hall. A pillared cloister, entrance gateways, courtyards, smaller shrines and other structures surround the temple.
The nine-tiered eastern gateway, which is the largest at 50 meters, is well-proportioned and incorporates some earlier structures. It has a brick superstructure and a stone base. It gives access to the outer court containing many sub-shrines.
The smaller eastern gateway leads to the inner court with its numerous smaller shrines.
A narrow channel of the Tungabhadra River flows along the temple's terrace and then descends to the temple-kitchen and out through the outer court.
Krishnadevaraya, one of the famous kings of the Vijayanagara Empire was a major patron of this temple. The most ornate of all structures in the temple, the central pillared hall is believed to be his addition to this temple. So is the gateway tower giving access to the inner courtyard of the temple. Inscriptions on a stone plaque installed next to the pillared hall explain his contribution to the temple. It is recorded that Krishna Devaraya commissioned this hall in 1510 AD.
Festivals
The temple continues to prosper and attracts huge crowds for the betrothal and marriage festivities of Virupaksha and Pampa in December.In the month of February the annual chariot festival is celebrated here.
Vijayanagara Empire
The Vijayanagara Empire (Kannada: ವಿಜಯನಗರ ಸಾಮ್ರಾಜ್ಯ, Telgu: విజయనగర సామ్రాజ్యం, Tamil: விஜயநகரப் பேரரசு) referred to as the Kingdom of Bisnagar by the Portuguese, was an empire based in South India, in the Deccan Plateau region. It was established in 1336 by Harihara I and his brother Bukka Raya I of Sangama Dynasty. The empire rose to prominence as a culmination of attempts by the southern powers to ward off Islamic invasions by the end of the 13th century. It lasted until 1646 although its power declined after a major military defeat in 1565 by the Deccan sultanates. The empire is named after its capital city of Vijayanagara, whose ruins surround present day Hampi, now a World Heritage Site in Karnataka, India. The writings of medieval European travelers such as Domingo Paes, Fernão Nunes and Niccolò Da Conti, and the literature in local languages provide crucial information about its history. Archaeological excavations at Vijayanagara have revealed the empire's power and wealth.The empire's legacy includes many monuments spread over South India, the best known of which is the group at Hampi. The previous temple building traditions in South India came together in the Vijayanagara Architecture style. The mingling of all faiths and vernaculars inspired architectural innovation of Hindu temple construction, first in the Deccan and later in the Dravidian idioms using the local granite. Secular royal structures show the influence of the Northern Deccan Sultanate architecture. Efficient administration and vigorous overseas trade brought new technologies such as water management systems for irrigation. The empire's patronage enabled fine arts and literature to reach new heights in the languages of Kannada, Telugu, Tamil and Sanskrit, while Carnatic music evolved into its current form. The Vijayanagara Empire created an epoch in South Indian history that transcended regionalism by promoting Hinduism as a unifying factor.
History
Differing theories have been proposed regarding the Vijayanagara empire's origins. Many historians propose Harihara I and Bukka Raya I, the founders of the empire, were Kannadigas and commanders in the army of the Hoysala Empire stationed in the Tungabhadra region to ward off Muslim invasions from the Northern India Others claim that they were Telugu people first associated with the Kakatiya kingdom who took control of the northern parts of the Hoysala Empire during its decline. Irrespective of their origin, historians agree the founders were supported and inspired by Vidyaranya, a saint at the Sringeri monastery to fight the Muslim invasion of South India Writings by foreign travelers during the late medieval era combined with recent excavations in the Vijayanagara principality have uncovered much-needed information about the empire's history, fortifications, scientific developments and architectural innovations.Before the early 14th-century rise of the Vijayanagara Empire, the Hindu states of the Deccan, the Yadava Empire of Devagiri, the Kakatiya Kingdom of Warangal, the Pandyan Empire of Madurai, and the tiny kingdom of Kampili had been repeatedly invaded by Muslims from the north, and by 1336 they had all been defeated by Alla-ud-din Khilji and Muhammad bin Tughluq, the Sultans of Delhi. The Hoysala Empire was the sole remaining Hindu state in the path of the Muslim invasion.[14] After the death of Hoysala king Veera Ballala III during a battle against the Sultan of Madurai in 1343, the Hoysala Empire merged with the growing Vijayanagara empire.
With the Vijayanagara Kingdom now imperial in stature, Harihara II, the second son of Bukka Raya I, further consolidated the kingdom beyond the Krishna River and brought the whole of South India under the Vijayanagara umbrella The next ruler, Deva Raya I, emerged successful against the Gajapatis of Orissa and undertook important works of fortification and irrigation Deva Raya II (called Gajabetekara) succeeded to the throne in 1424 and was possibly the most capable of the Sangama dynasty rulers. He quelled rebelling feudal lords as well as the Zamorin of Calicut and Quilon in the south. He invaded the island of Lanka and became overlord of the kings of Burma at Pegu and Tanasserim. The empire declined in the late 15th century until the serious attempts by commander Saluva Narasimha Deva Raya in 1485 and by general Tuluva Narasa Nayaka in 1491 to reconsolidate the empire.
After nearly two decades of conflict with rebellious chieftains, the empire eventually came under the rule of Krishna Deva Raya, the son of Tuluva Narasa Nayaka. In the following decades the Vijayanagara empire dominated all of Southern India and fought off invasions from the five established Deccan Sultanates. The empire reached its peak during the rule of Krishna Deva Raya when Vijayanagara armies were consistently victorious. The empire annexed areas formerly under the Sultanates in the northern Deccan and the territories in the eastern Deccan, including Kalinga, while simultaneously maintaining control over all its subordinates in the south. Many important monuments were either completed or commissioned during the time of Krishna Deva Raya.
Krishna Deva Raya was followed by his younger brother Achyuta Deva Raya in 1529 and in 1542 by Sadashiva Raya while the real power lay with Aliya Rama Raya, the son-in-law of Krishna Deva Raya, whose relationship with the Deccan Sultans who allied against him has been debated.
The sudden capture and killing of Aliya Rama Raya in 1565 at the Battle of Talikota, against an alliance of the Deccan sultanates, after a seemingly easy victory for the Vijayanagara armies, created havoc and confusion in the Vijayanagara ranks, which were then completely routed. The Sultanates' army later plundered Hampi and reduced it to the ruinous state in which it remains; it was never re-occupied. Tirumala Deva Raya, Rama Raya's younger brother who was the sole surviving commander, left Vijayanagara for Penukonda with vast amounts of treasure on the back of 1500 elephants.
The empire went into a slow decline regionally, although trade with the Portuguese continued, and the British were given a land grant for the establishment of Madras. Tirumala Deva Raya was succeeded by his son Sriranga I later followed by Venkata II who was the last king of Vijayanagara empire, made his capital Chandragiri and Vellore, repulsed the invasion of the Deccan Sultanates and saved Penukonda from being captured.
His successor Rama Deva Raya took power and ruled until 1632,
after whose death Venkata III became king and ruled for about ten years. The
empire was finally conquered by the Sultanates
of Bijapur and Golkonda.
The largest feudatories of the
Vijayanagar empire – the Mysore Kingdom,
Keladi Nayaka,
Nayaks of Madurai, Nayaks of Tanjore,
Nayakas of Chitradurga and Nayak Kingdom
of Gingee
palegars of gummanayakanapalya – declared independence and went on to have
a significant impact on the history of South India in the coming centuries.
These Nayaka kingdoms lasted into the 18th century while the Mysore Kingdom
remained a princely state until Indian Independence in 1947 although they came
under the British Raj
in 1799 after the death of Tipu Sultan
Om Tat Sat
(Continued...)
(My
humble salutations to the great devotees
, wikisources and Pilgrimage tourist guide for the
collection )
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